Picking a travel camera to take with you on a trip is as tricky as working out what to pack. Most of us like to travel light, so ideally you’ll want a camera that doesn’t take up much space and won’t make your shoulder ache through carrying it around all day.
But when you choose a camera for travel you don’t want to compromise on image quality, either. You may be going to to places that you might not get the chance to see again, so you’ll want to take a camera that does them justice – otherwise, you might just as well snap away with a smartphone.
You’ll also want a camera that can shoot a whole range of subjects in a whole range of conditions, from a sun-baked beach to a dimly-lit market, from distant mountains to close-ups of exotic cuisine.
If you’re embarking on a holiday for adventure rather than relaxation, you might want to take a tough camera rather than a delicate DSLR, but if you’re backpacking on a budget, a cheap DSLR or mirrorless camera could be the perfect compromise.
Decisions, decisions! Luckily, we’ve narrowed them down to a list of ten top travel cameras. Each is ideal for a particular type of photographer and a particular style of travel, and we reckon one of these cameras will prove to be your perfect travelling companion.
The best compact camera for travel right now
1. Panasonic Lumix TZ200/ZS200
A 15x zoom range and a 1-inch sensor packed into a pocket-sized body
Type: Compact | Sensor: 1in | Megapixels: 20.1MP | Lens: 24-360mm f/3.3-6.4 (equiv.) | LCD: 3in fixed touchscreen, 1.24 million dots | Viewfinder: EVF | Maximum continuous shooting speed: 10fps | Max video resolution: 4K | User level: Beginner/enthusiast
If you’re going travelling, the last thing you want is to be weighed down with kit – but at the same time you’ll want a camera that can capture any kind of subject and get as close as possible to the quality of a ‘proper’ camera. That’s what the best ‘travel’ cameras get right, and the TZ200/SZ200 is right at the top of the tree. It replaces the older TZ100/SZ100, which is still on sale and one of our past favourites. The TZ200/SZ200 keeps the same 1-inch 20-megapixel sensor but adds in an even longer-range 15x zoom lens. This covers a 24mm wide-angle view right up to a long-range 360mm equivalent telephoto setting. It’s the longest you’ll get in a pocket camera with a sensor this big. The TZ200/SZ200 produces excellent JPEGs images straight from the camera and has the option of raw shooting and and 4K video. A macro mode lets you focus on subjects just 3cm away, and Panasonic’s 4K photo mode can generate 8K images from burst sequences shot at 30 frames per second. With the 4K Photo mode you can even choose your focus point AFTER you’ve taken the picture.
2. Sony RX10 IV
More than just a ‘bridge’ camera, the RX10 IV brings real power and quality
Type: Superzoom compact | Sensor: 1in | Megapixels: 20.1MP | Lens: 24-600mm f/2.4-4 (equiv.) | LCD: 3in tilting, 1.44 million dots | Viewfinder: EVF | Continuous shooting: 24fps | Max video quality: 4K and Full HD | User level: Enthusiast/Expert
At first sight, the Sony RX10 IV looks like a very big, expensive and not very unusual long-zoom camera, but you need to look closer, because what Sony has actually made is perhaps the world’s first ‘professional’ bridge camera – and if you don’t mind the extra bulk, it’s the supreme tackle-anything travel camera. It features a 20-megapixel 1-inch sensor to deliver far higher image quality than the typical bridge camera, married up to a long-range 24-600mm equivalent f/2.4-4 lens that doesn’t just offer a faster maximum aperture than a typical bridge camera, but uncharacteristically good image quality at its maximum zoom setting. This is where nearly all long-zoom cameras fall down, but the RX10 IV stays sharp right through its focal range. Its predecessor the RX10 III is also a favourite of ours and still on sale at a lower price. But that camera’s autofocus grew sluggish at high zoom settings and while recording video, while the RX10 IV adds a far faster and more powerful hybrid AF system adding no fewer than 315 phase detection AF points.
3. Olympus OM-D E-M10 III
A brilliant little mirrorless camera you can slide into a jacket pocket
Type: Mirrorless | Sensor: Micro Four Thirds | Megapixels: 16.1MP | Screen: 3in tilting touchscreen, 1.04million dots | Viewfinder: EVF | Max burst speed: 8.6fps | Max video resolution: 4K | User level: Beginner/enthusiast
Olympus has been pretty quiet recently as many of its rivals have been busy launching or announcing full frame mirrorless cameras. By contrast, Olympus is sticking with its Micro Four Thirds format, based around a sensor a little smaller than the APS-C format. The key advantage of this format is that both the cameras and the lenses can be corresponding smaller – and the OM-D E-M10 III is a little gem. Despite its small size, it packs in a twin-dial control layout that enthusiast will admire, 5-axis in-body stabilization, 4K video and a wide selection of Olympus’s rather good. Art Filters – perfect for adding a little atmosphere and an Instagram-ready look to your photos. Make sure you get this camera with the 14-42mm EZ ‘pancake’ lens, though, not the cheaper but larger ‘regular’ 14-42mm kit lens. The EZ lens offers a 3x zoom range in a super-slim barrel and is the perfect complement to the E-M10 III.
4. Panasonic GX80
The GX80 offers a rangefinder-style photography at an everyday price
Type: Mirrorless | Sensor: Micro Four Thirds | Megapixels: 16.0MP | Lens: Micro Four Thirds | Screen type: 3in tilting touchscreen, 1,040,000 dots | Viewfinder: EVF | Continuous shooting speed: 8fps | Max video resolution: 4K | User level: Beginner/enthusiast
The Wi-Fi-enabled Panasonic GX80 has a small and light camera body, and the fact that it comes with such a dinky, retractable 12-32mm f/3.5-5.6 G VARIO ASPH. kit lens – equivalent to 24-64mm in 35mm terms – means that the overall package remains compact. You can even squeeze the GX80 into a large pocket, a downsizing that’s partly enabled by the Micro Four Thirds sensor. Most controls are accessed via buttons and menus, rather than dedicated dials, although physical controls include a tilting screen with touch-sensitivity, and a pop-up flash alongside a hotshoe. High-ISO images are a little on the noisy side and long exposures are limited to a maximum of two minutes, but these are small points. Overall, the GX80 makes a highly effective travel camera, with a good range of controls at a very reasonable price.
5. Nikon D5600
This tiny DSLR is travel friendly but bulky next to some of the others herew
Type: DSLR | Sensor: APS-C | Megapixels: 24.2MP | Lens mount: Nikon F | Screen type: 3.2in vari-angle touchscreen, 1,037,000 dots | Viewfinder: Optical | Continuous shooting speed: 5fps | Max video resolution: 1080p | User level: Beginner/enthusiast
The Nikon D5600 looks and feels bulky compared with other cameras here, despite having a reputation as a relatively small and travel-friendly DSLR. We tested it with the AF-P DX Nikkor 18-55mm f/3.5-5.6G VR kit lens, which has a space-saving retractable design though much larger than a pancake zoom. Nikon’s AF-P lenses also make live view autofocus noticeable faster. The D5600 benefits from a fully articulated touchscreen and Wi-Fi, NFC and Bluetooth. The 24.2MP APS-C sensor, EXPEED 4 processor and 39-point phase-detection autofocus system deliver good performance, and while contrast-detection autofocus for Live View and movie capture is fairly slow but not too shabby for a DSLR. Image quality is very pleasing, with punchy colour, impressive dynamic range and good retention of detail. If you’re getting this for travel, take a look at Nikon’s compact and lightweight 10-20mm f4.5-5.6 G AF-P DX VR ultra-wideangle lens.